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At a recent publisher's cocktail party, the literary director Jaakko
Tapaninen suggested that a group photograph should be taken of a few
writers of the younger generation. But why? Had a new literary rebellion
developed, at a time when everyone yawns when they hear the word
manifesto?
Of the writers, one has published short
prose reminiscent of the work of Raymond Carver, dirty realism about
losers. Another, stormy prose about men's work. A third, beautiful
poetry praising the constellations and Helsinki's suburbs. A fourth,
alienated, cubist novels and a few difficult collections of poetry.
I could continue the catalogue and fail
to find any common poetic features. Except one: each of them has,
in recent years, published a children's book. The
writers have taken the dangerous step into children's literature just
at the moment when they were beginning to be taken seriously. Children's
literature, after all, cares nothing for broad views of social change,
and does not arrange glass-bead games of linguistic philosophy for
intellectuals to sove.
Where does this sudden lack of ambition
come from? Why abandon the search for cultural capital and content
oneself with speaking to half-animals? No sociological field study
has been made of the phenomenon, so it is necessary to invent the
answers for oneself. How would a pipe-smoking sociology professor
of the older generation, sitting in his study behind enormous piles
of paper, interpret the train of thought of the writers in the group
photograph?
'They have,' he would say, 'reached
the age when they have children of their own.'
A young student sitting in the lecture
hall, however, has read small-circulation cultural magazines, and
is particularly interested in questions of identity. He would see
the matter in a different way. 'The writer's identity has opened up
in recent years. Novelists, poets and journalists are no longer separate
categories there are merely professional writers who love the
written word, whether or not it appears between covers.'
What about a middle-aged woman psychologist?
What would she say she is, after all, concerned about the decline
of the family, the abandoning of communal mealtimes and the neglect
of children. She would detect a counter-reaction. 'Many thirtysomethings
are in second marriages, but are committed to parenting. They seek
contact with their children and build a shared world. I believe that
the writers are on the same track.'
It would perhaps be far-fetched to claim
that the writers in the group photograph are concerned about the decline
of the nation. But there is certainly cause for concern.
Last autumn's national school matriculation
examinations showed a collapse in Finnish-language skills. The guilty
party was immediately identified: computers, which steal time from
the habit of reading.
Someone commented that if people do
not have an adequate knowledge of their mother tongue, it follows
that they cannot think, either. They will become the apes of the information
society. Not its makers.
Jyrki Kiiskinen
Editor-in-chief
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