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The teenage girl spends long periods in front of the mirror examining
her hair, her skin, her body. The theme is familiar from juvenile
books. The fact that she has red hair and freckles is enough to
plunge her into despair. Staring at herself is a natural stage of
her development.
And it is not necessarily easy, as
Maria Peura's text demonstrates. In the real world a girl, in a
sympathetic environment, grows into a woman who is at home with
herself. According to sociologists and doctors, this development
is disturbed in contemporary Finland. Young girls are not doing
well. Even compared with the other Nordic countries, young girls
(7- to 13-year-olds) in Finland 'grow up' young. The problems are
reflected in the statistics.
There are twice as many depressed
girls and women in Finland as there are boys and men. Four to 15
per cent of girls and women suffer from eating disorders. Last year,
37 per cent of chlamydia cases appeared in women under 20. Violent
crimes have become commoner in the 15-to-20 age group.
Feeling bad is externalised into a
concern about how one looks. A nine-year-old anorexic is no longer
a rare case. 'A negative opinion about one's own body is significantly
linked with self-hatred, loneliness, feelings of inferiority, exhaustion
and a dislike of school,' a psychiatrist says. The extract from
Kreetta Onkeli's novel Beige tells of what it is like for
a young woman to feel she is 'too big'.
In Finnish society success at school,
university and career is now a challenge for women in the same way
as it has traditionally been for men. The majority of university
students are now women; a recent study demonstrated that in Finland
businesses led by women do better, on average, than those led by
men.
Simultaneously there is another trend:
the image of women promoted by advertisement, the press and television
series. The feminist scholar Sari Näre speaks of the 'visual
interference' to which girls are subjected. She considers it a child
protection problem. 'The sexualisation of public space is part of
the commercialisation of sexuality. This visual environment is part
of our children's daily life. It is, in other words, a question
of the difficulties for children that are brought about by the increasing
intimisation of public space. This militates against the rights
of children and young people, who should have the right to grow
up in peace, with freedom of the imagination and of their own space
in their own minds.' The immediate environments of many children
are lacking in close models, support, security and love, and 'the
prime responsibility for the construction of one's own identity
becomes the burden of the child him or herself.'
The Finnish national economy this
autumn is in a better state than at any point since the recession
years of the 1990s; career fathers and mothers have added their
mites to the pile. One may ask whether children and young people
have been forced to pay for this good fortune. Mending the ills
of girls (and boys) means, according to Sari Näre, that even
liberals must cease to fear the enforcement of prohibitions, however
nannyish that may perhaps seem.
However - on the basis of my own experience
only - I still argue that the influence of a child's environment
cannot rob her of her freedom of the imagination. A child shapes
stories in her head, whether the hero is Little Red Riding Hood,
Barbie, Catwoman or J.K. Rowling's heroine Hermione. These tales
offer support, even if they are strange or violent, in the same
way as stories and children's books; the weak conquer the strong,
and the ugly or even the poor
can win their prince.
Kristina Carlson
Editor-in-Chief
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