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The families in television advertisements still have a father, a mother,
a daughter and a son, whether it is apartments, cereal, washing
machines or bank loans that are being sold. If ready-made houses
or yogurts had been advertised a hundred years ago, it would also
have been necessary to fit into the picture a grandfather, grandmother,
an indefinite number of unmarried aunts, perhaps orphan cousins
and other more distant relations.
In Finland, as in other urbanised
western countries, the family means, according to contemporary concepts,
two generations, parents and children. Emotionally, the family or
clan is, of course, still a broader group of people than those that
live under the same roof.
The changes in family structure in
Finland have taken place over a fairly short period. Fresh statistics
about the current situation are surprising. In Helsinki, every third
household is made up of a single person. The explanation I read
did not differentiate reasons for living alone, but the metropolitan
area is home to large numbers of young people who have moved south
in search of work. One in three marriages ends in divorce. As the
baby-boomer generation grows older, there are increasing numbers
of divorcees and widows or widowers.
Starting a family itself is by no
means a self-evident matter. According to another study, one in
five Finnish women will remain childless. The average age of first-time
mothers has risen from 25, which is considered ideal, to 28. The
youngest married couples want to continue their youth together.
Later, unfinished studies and uncertainty about employment check
the desire to have children. Young couples are concerned about the
future of their children. Families with one or two children consider
societys support insufficient, and do not want to have more
children. Statistically, families would like to have 2.4 children.
In practice, the average number of children is only 1.8. (The fractional
children ofthe statistics always make for odd associations
among laymen.)
The family relations of the television
soaps perhaps seem strange and convoluted, but reality is at least
as extraordinary. Second families, my children, your children, our
joint children. Our former husbands, wives.
Coincidence or not, but in this autumns
Finnish fiction the family appears to play a central role. One could,
of course, refer to the classics of antiquity or to, for example,
Leo Tolstoys Anna Karenina and remark that the subject
has always been central. Emotionally, this is indeed true; Oedipus
or Antigone can also live in a brick house or a concrete block of
flats. On the other hand, literature also depicts societal changes
that influence the family from the outside. One comic and gruesome
example is Kari Hotakainens Juoksuhaudantie (Trench
Road), a novel about everyday life in Finland. Anja Snellmans
amusing Äiti ja koira (Mother and the dog)
shows that a womans life is not over in middle age even if
her husband leaves her and her children are already grown up.
In October, Finns were shocked by
a bomb blast in a shopping centre in the metropolitan area in which
seven people were killed and dozens injured. The perpetrator was
revealed to be one of those killed in the explosion, a 19-year-old
student of chemistry whose motives remain unclear. Within a couple
of years, serious crimes have been committed by children or young
people in Finland however much it may still be imagined
by many to be some sort of a peaceful haven. Parents, teachers and
decision-makers discuss causes and consequences; many are perplexed.
The family today is a rather closed unit, whether in the town or
the countryside.
Literature is hardly able to teach
or to offer answers. Nevertheless, fiction is able to delineate
love and hate, domination and subordination, tenderness and rage,
loneliness and communication, richness and want, which are concealed
within walls, conditions in which individuals seek their lives and
their identities. Fiction can make visible what remains hidden.
Behind the prose of the statistics
lies this whole spectrum.
Kristina Carlson
Editor-in-Chief
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